Collaborator

I am a collaborator to Filmmakers, Photographers, and Creatives within commercial advertising campaigns and diverse creative projects.

Please support your local economy.

I am your partner through creative, production, and beyond.

Scout | Manager | Writer | Producer

PONDER my Resume / CV

SEE Location Scout Photos and intel at NebraskaLocation.com  & on Instagram as NebraskaLocation

ADMIRE Jamie Vesay Photography Images at  newsmugmuglogo                         

SEND initial WORK inquiries or questions to VesaysRep@gmail.com  

ENGAGE on social networks.

TwitterLogo_#55acee

Instagram 2016linkedinlogo

Advertisements

More Collaboration Please

Stone steps at Pedernales SP TX Jamie Vesay IMG_0264 - Version 2 treated and WMWM

I work with independent creative minds.  Most days, it’s a blessing. Other times, a curse.

Think about all the flavors you would need to combine when trying to come up with a next new flavor. When it works, it feels like it happened relatively easy. When it tastes like crap or isn’t happening or you’re at it alone – once again, you wonder ‘Why is this so difficult?”

All of us have a slightly different definition of Collaboration. I like the Merriam-Webster added value of “Especially in an intellectual endeavor.”  But what is it?

Here would be a good place for that “I don’t know how to explain it but I know it when I see it” line but I’ll refrain. Truth is, you have already experienced some sort of collaboration in your lifetime. Did you notice? Was it good? Are you now addicted?

I know I am.

Collaboration for me is working on a film set or brainstorming with writers or working out the perfect location for a photograph.   Within my business, when it works well, I call it Production Nirvana. If this genuinely raw, exhilarating collaboration happens to you – trust me, you will indeed want more – and soon.

Surrounding yourself with genuine collaborators can be challenging.  If you work within a non-creative environment it can be non-existent. If you think a staff meeting to review the weekly plan or to get caught up with the latest greatest work news and half of the people in the room would rather be checking their social network status (and they are) – then that is not collaborating.

Me?  I am hungry as hell for more of it. If you want to make creative motion pictures within a collaborative environment – I would love to hear from you.

You?  Well if you have already tasted it, you know. If you have not, it might take a bit of hard work to get there. But try.

Climb the steps.  I dare you to do it just once.

Location Scouting: Black & White

“Marty.   Ask him about residuals.”

While scouting for the movie Nebraska, the Production Designer says, “Since the movie will be shot in black and white, why don’t we take location photos in black and white?” Silence.  Murmurs.  Why yes, indeed a no brainer. And why didn’t I think of that earlier? So settings on our still cameras were switched to shoot black and white photography. But wait. That brought up another question.

“Can we view the locations in black and white like a viewfinder, say with an iPad?”

Now keep in mind, we were looking to see what the locations looked like live – versus snapping pictures and showing what a still of it looked like later. Some of us had a small digital screen on our cameras but the iPad and even the iPhone would be better as a viewfinder with a black and white App.

There were many apps available that converted black and white photos. Some did it instantly but those still viewed in color. I found an app called Live FX. Once the app was downloaded (the Lite version was free) we just set it at the black and white filter * and boom – live black and white viewfinder.

It was immediately curious and fun to see things in shades and tones. Tufts of green grass, lush fields of crops, and shade – crushed to black.

Rows of soybeans and a road to the sky.
Rows of soybeans and a road to the sky.

Lines and design on city buildings seemed to become more visible.

City Lincoln BW Jamie Vesay DSCF5425
Lincoln, Nebraska

  The sky became a whole new kind of beautiful.

Summer clouds over a country road.
Summer clouds over a country road.

Textures on buildings were scrutinized much closer. The red barn actually had to be a certain tone of red. Wood and peeled paint was cool. Color was actually added to a white building (not the one below). Let’s just say it looked better in black and white.

Barn building that tried storm windows.
Barn building with storm windows.

Eventually, the Locations Department committed to shooting all scout photos in black and white. Most of them were never shot in color.

I share this information with you just in case you ever find yourself scouting for a black and white project. It is indeed the way to go. If not, try shooting in black and white for your personal photography. I challenge you to shoot in black and white – not in color and convert later. It will train you to capture your vision live. Have fun.

The movie Nebraska was released in 2013 and is available as download and DVD. On the BluRay disc there is a Making Of extra that includes more talk of scouting and shooting in black and white. I am in the Locations section.

* The extra steps of scrubbing through the filters on Live FX was a tad cumbersome.  Since then, another app called Vintage B&W viewed instantly in black & white.  I’m sure there may be others out there.